Operation Urban Terrain (OUT)

Anne-Marie Schleiner

August 28, 2004
Fifth Avenue and 45th Street; Dumbo, Brooklyn; 125th Street and St. Nicholas Avenue
Photo © 2004 Anne-Marie Schleiner

Operation Urban Terrain (OUT) was a one-night intervention of online military games played out in public spaces by Anne-Marie Schleiner using high-tech gear, strategy, and humor. Schleiner and her partner Elke Marhoefer, clad in futuristic military garb designed by the artist, roamed the street carrying a projector and a laptop, connected through a mobile wireless bicycle to an online team of five game players located in various global locations. The team intervened on servers in a popular online military simulation game with performance actions—simulated grenade suicides, propaganda, and playful and absurd dance performances. The revised game was projected live onto city buildings, allowing spectators to view the project at the sites or through webcams on the OUT website. The project was deployed specifically on August 28—the eve of the 2004 Republican National Convention in New York City.

OUT confronted the dual reality of military training games, raising important questions about their social implications and underscoring the danger of blurring boundaries between what is entertainment and what is “real.” OUT also critiqued the increasing militarization of civilian life since 9/11, from the implementation of The Patriot Act to surveillance of private and public spaces to the increased powers assumed by the military.

Supported by the Lyn Blumenthal Memorial Fund Challenge to the Field Award and Creative Time.

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Freedom of Expression National Monument

Laurie Hawkinson, John Malpede, Erika Rothenberg

August 17-November 13, 2004
Foley Square
Photo © 2004 Charlie Samuels

“You are cordially invited to step up and speak up,” read the plaque adorning the Freedom of Expression National Monument, a public artwork by architect Laurie Hawkinson, performer John Malpede, and visual artist Erika Rothenberg. A modern day soapbox, the enormous red megaphone in the middle of Foley Square enticed passersby to climb its sloping ramp and voice their thoughts, poetry, grievances, and hopes. Offering a public forum for dialogue on the dynamics of free speech, power and powerlessness, and a multiplicity of social and cultural concerns, Freedom directly addressed public frustration over not being heard.

Originally installed in 1984 for Art on the Beach, Creative Time’s annual program that featured collaborations between architects, performers, and visual artists at the Battery Park City Landfill, the piece captured the public imagination and quickly became one of New York’s most cherished artworks. For one memorable summer, thousands seized the megaphone on the windswept beach to vent, sing, rage, and recite poetry. Freedom brought contemporary issues to the fore–the AIDS pandemic, homelessness, human rights, economic disparity, the environment–and asserted the importance of free speech and free expression of ideas.

In partnership with the Lower Manhattan Cultural Council.

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