• Uprisings

    Mexico: Creating Anti-Monuments and Crowdfunding Dissent

    October 1, 2012  —  

    In July, Enrique Peña Nieto was elected president of Mexico, aided by disproportionate media coverage in his favor. Pedro Reyes covers the opposition #YoSoy132 movement and suggests new media strategies for publicly airing critiques that TV shows won’t touch.  More

    By Pedro Reyes

  • Audio Dispatch

    I Ran into Iran:
    To Burn or Not to Burn a Flag

    September 28, 2012  —  

    I ran into Iran talks with artists Dread Scott and Nima Esmailpour about flag burning in the United States and Iran. Who burns a U.S. flag? Why do they do it? Has the context in which the flag is burned changed over the years?  More

    By Benjamin Lindquist, Kioomars Marzban and Katayoun Vaziri

  • Video

    Going “Diplomatical” at the UN

    September 26, 2012  —  

    It’s General Assembly time, bitches! Watch as I go to the United Nations during the General Assembly to meet protestors, figure out what to do about the Middle East, and ask what the deal is with this whole “peace thing.” And, oh yeah, I find a bunch of enriched uranium.  More

    By Negin Farsad

  • Video

    Egypt: The Right to Health Care

    September 24, 2012  —  

    Independent Cairo-based media collective Mosireen examines the pressing issue of access to health care in Egypt, highlighting two public hospitals—one squalid, the other unstaffed—that lack the basic resources necessary to serve the sick and injured.  More

    By Mosireen

  • Feature

    Rift Valley, Kenya: View From The Village (Part One)

    September 21, 2012  —  

    In March 2013, Kenyans will vote in the first general elections since widespread ethnic violence engulfed the nation after the disputed elections of December 2007. Here, Nairobi-based poet Ngwatilo Mawiyoo visits with rural Kenyans intimately affected by the violence.  More

    By Ngwatilo Mawiyoo

  • PR

    Editor’s Letter

    Five years after Creative Time Reports’ inception, the project is coming to a close. Editor Marisa Mazria Katz reflects on some of the most moving pieces that solidified CTR as a unique platform that elevates artists’ voices.

    More

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