Op-eds

  • Residents of Rikers Island, In Portraits

    November 26, 2013 - 

    Who are the 10,000-plus people in New York City’s jails? Illustrator Ricardo Cortés, who runs art workshops at the Rikers Island detention complex, describes “cages” filled with those who can’t afford to post bail—who are disproportionately poor, black and brown, and often mentally ill.  More
  • Dadaab: The Clock Is Ticking

    November 4, 2013 - 

    For those familiar with the extreme poverty and crime Somalis face—in their own country and in Kenya’s rapidly growing Dadaab camp—Al-Shabaab’s deadly attack on an upscale Nairobi mall was not a matter of if but of when.  More
  • Combat Paper Veteran Artists

    The Veteran Artist: Caught Between Creativity and Therapy

    November 4, 2013 - 

    BR McDonald, founder of the Veteran Artist Program, asserts that veterans can and often do work through trauma with art, but they also innovate and communicate their unique experiences without therapeutic purposes in mind.  More
  • Banksy Takes the Art World’s Money, But He Won’t Buy Its Line

    October 15, 2013 - 

    What happens when Banksy subverts the very brand he’s become? Molly Crabapple argues that the British street artist is a godsend to people who “love art but to whom the art world sounds like it’s babbling in an invented language.”  More
  • David Byrne: Will Work for Inspiration.

    October 7, 2013 - 

    As part of Creative Time Reports’ Summit Series, musician, artist and bicycle diarist David Byrne considers New York City’s present and future, at a moment of rising economic inequality that he argues is having dire effects on culture.  More
  • PR

    Editor’s Letter

    Five years after Creative Time Reports’ inception, the project is coming to a close. Editor Marisa Mazria Katz reflects on some of the most moving pieces that solidified CTR as a unique platform that elevates artists’ voices.

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