Creative Time


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    Creative Time Reports Partners with Salon

    April 23, 2014

    With a moving photo essay by Bénédicte Desrus and text by Celia Gómez Ramos, Creative Time Reports launched its partnership with the foremost progressive news website Salon! The piece takes us inside Casa Xochiquetzal, a retirement home where Mexico City’s retired sex workers can find peace and safety after years of exploitation. We expect many [...]

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    Lucy Lippard Launches Her New Book

    April 22, 2014

    On Monday April 28, renowned curator, writer, critic, and activist Lucy Lippard is launching her new book Undermining: A Wild Ride Through Land Use, Politics, and Land in the Changing West. A champion of feminist voices and a critical figure in the shaping and re-shaping of what we now understand as “art,” Lippard was a [...]

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    Global Resident Andrea Geyer Debuts a Major Work

    April 16, 2014

    On April 19, our amazing Creative Time Global Resident Andrea Geyer is celebrating the U.S. debut of her two-channel video installation, Three Chants Modern, at the Portland Institute for Contemporary Art. Addressing how power and history are constructed, Geyer’s video looks at the network of women thinkers, social and political activists, artists and philanthropists who [...]

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    Whose Terms? New Perspectives on Social Practice

    April 11, 2014

    On Saturday April 12, the New Museum is hosting a symposium that will break down several of the key terms that have come to define social practice over the past few decades. One of the speakers is our own Sally Szwed, Program Manager for Global Initiatives, who will discuss the topic of “empathy” (highlighting Annenberg Prize [...]

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    Global Resident Lisi Raskin Opens “Recuperative Tactics” at Art in General

    April 8, 2014

    Drawing on her 2013 Global Residency, Lisi Raskin is currently working on Recuperative Tactics, a new exhibition set to open at Art in General on April 19. She’s constructing an immersive, site-specific installation that recreates her travels throughout Afghanistan, where she studied the how the public interacts with war memorials. “Suturing found materials into an [...]

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