News
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Open Call: Creative Time Reports Seeks Proposals!
July 14, 2014
We invite artists—visual artists, performers, poets, photographers, filmmakers, fiction writers and musicians included—to submit proposals for a Creative Time Reports feature or dispatch to be presented in early 2015. Deadline: September 2, 2014 Submit to: editorial@creativetime.org Creative Time Reports seeks proposals that offer incisive, provocative and unflinching perspectives on the most challenging issues of our […]
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We Move You: Annual Report 2013
June 30, 2014
We are proud to share our 2013 accomplishments with you in our newest Annual Report. In HEARD•NY, Nick Cave’s magical dancing horses transformed Grand Central Terminal into what Interview Magazine called “a land of wonder;” in the Rockaways, artists dreamed on the beach in our sandcastle competition; over in Brooklyn, we gathered 400 women across […]
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Extended Hours for Kara Walker! Saturdays & Sundays, 11 a.m. – 7 p.m.
June 25, 2014
We’re excited to announce extended hours for Kara Walker’s A Subtlety! Through July 6, the Domino Sugar Factory is now open to visitors on Saturdays and Sundays from 11 a.m. to 7 p.m. We hope you’ll take advantage of the extra time to finally get your first trip in—or come by for one last visit. […]
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Amar Kanwar Wins 2014 Leonore Annenberg Prize
June 15, 2014
We are thrilled to announce New Delhi-based artist Amar Kanwar as the winner of the 2014 Leonore Annenberg Prize for Art and Social Change—selected from 250 open-call nominations! Generously supported by board member Elizabeth K. Sorensen, this annual prize is given to one artist whose work provokes awareness of and engagement with critical issues of […]
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Creative Time Responds to BDS Arts Coalition Petition
June 13, 2014
In response to the call for Creative Time and Independent Curators International to withdraw Living as Form (The Nomadic Version) from Technion University in Haifa, Israel, as well as a petition asking artists to withdraw from the exhibition, Creative Time’s president Anne Pasternak and chief curator Nato Thompson have written this response: Dear friends, As […]
