Creative Time

2023 SELECTED ARTISTS: Kite and Alisha Wormsley

Kite aka Suzanne Kite is an Oglála Lakȟóta performance artist, visual artist, and composer raised in Southern California, with a BFA from CalArts in music composition, an MFA from Bard College’s Milton Avery Graduate School, and is a PhD candidate at Concordia University. Kite’s scholarship and practice investigate contemporary Lakota ontologies through research-creation, computational media, and performance. Recently, Kite has been developing a body interface for movement performances, carbon fiber sculptures, immersive video and sound installations, as well as co-running the experimental electronic imprint, Unheard Records. Kite has also published in several journals and magazines, including in The Journal of Design and Science (MIT Press), where the award winning article, “Making Kin with Machines,” co-authored with Jason Lewis, Noelani Arista, and Archer Pechawis, was featured.

Alisha B. Wormsley
Alisha B. Wormsley is an interdisciplinary artist and cultural producer. Her work contributes to the imagining of the future of arts, science, and technology through the Black womxn lens, challenging contemporary views of modern American life through whichever medium she feels is the best form of expression–creating an object, a sculpture, a billboard, performance, or film–and thrives in collaboration. Her work has been exhibited widely, most recently at the Oakland Museum, VCUArts Qatar, Speed Museum, Artpace, Times Square Arts and the Carnegie Museum of Art. Over the last few years, Wormsley has designed several public art initiatives including Streaming Space, a 24 foot pyramid with video and sound installed in Pittsburgh’s downtown, and several park designs. Wormsley created a public program out of her work, There Are Black People In the Future, a global message, which gives mini-grants to open up discourse around displacement and gentrification and was also awarded a fellowship with Monument Lab and the Goethe Institute. In 2020, Wormsley launched an art residency for Black creative mothers called Sibyls Shrine, which has received two years of support from the Heinz Endowments. In 2022, Wormsley was awarded a Guggenheim Fellowship with longtime collaborator Li Harris. An awardee of the Sundance Interdisciplinary grant and the Carol Brown Achievement award, among others, Wormsley has an MFA in Film and Video from Bard College and currently is a Presidential Postdoctoral Research Fellow at Carnegie Mellon University.